The paradox of self-abolition: a mapping exercice — Marina VishmidtPresence and absence — Melissa GordonNarrative without end — Anna De FilippiAn exercice in the practice of affidamento — Alex Martinis RoeMarinella Pirelli films — Lucia AspesiHuman strike between foreignness and responsibility — Claire FontaineIntroduction to double-bind — Rhea Anastas Citadelle. On Marie Angeletti, “Citadelle” at Édouard Montassut, Paris — Jacob Stewart-HalevyOn Mathieu K. Abonnenc, Lotte Arndt, Catalina Lozano (eds), Crawling Doubles. Colonial Collecting and Affect — Emmanuelle ChérelA world exactly like this one. On Credits by Hannah Black — Jack GrossGet some rest Pam, or Jason Bourne comes to age. On Paul Greengrass’ film, Jason Bourne — Maija TimonenAggregation or mere dislocation. On the 9th Berlin Biennale and “Painting 2.0: expression in the information age,” mumok, Vienna — Kari Rittenbach
DIS and That — Mikael Brkic & DISVetements – Fall / Winter 2016. Panel Discussion — Lou Stoppard & Sahil Babbar, Aude Fellay, Aya Noel, Priyesh Patel, Vilde SorumThe Modern Naked King — Taque HirakawaInterview with Women’s History Museum — Ada O’HigginsMaison Artists Space. Interview with Stefan Kalmár — MayRoundtable — BLESS & Anja Aronowsky Cronberg, Heinz Peter KnesTHE STREET — Tobias Kaspar & Tobi MaierJesus as Readymade. Interview with Kaspar Müller — Peter Fischli ReviewsLa mode retrouvée. On the Wardrobe of the Countess Greffulhe at Palais Galliera, Paris — Hannah AdkinsPost-Hummannerism. On “Inhuman” at Fridericianum Museum, Kassel — Jakob Schillinger
Finely Crafted Stool. On Mathieu Malouf at Jenny’s, Los Angeles — George Egerton-WaburtonWolfpack. On the film “The Wolfpack” by Crystal Moselle — Julia Moritz
Some Partial Views: Sigmar Polke’s Reception in the United States and Germany in the 1980s — Magnus SchaeferInterview with Magnus Schaefer — Catherine Chevalier
On Some Models of Artist/Gallery Relations — Table ronde avec Marie Angeletti, Camille Blatrix, Hélène Fauquet, Renaud Jerez, Mélanie Matranga, modérée par Catherine Chevalier & Edouard MontassutVisual Insert — Ellie de Verdier The Desaturation of Graffiti. On Amy Lien and Enzo Camacho at Mathew, Georgie Nettell at Lars Friedrich, Berlin and Dave Miko, Ned Vena and Antek Walczak at Algus Greenspon, New York — Tanja Widmann
Dengled Up in Blue. On Verena Dengler at Meyer Kainer in Vienna — Lili Reynaud DewarEternal Return. On “Call and Response” at Gavin Brown and “Forever Now” at the MoMA, New York — Kari RittenbachBetween the Archer and the Target. On Daniel Pommereulle at the musée des Beaux-Arts, Valenciennes — Hélène Fauquet
Politics in the Anthropocene: A Conversation between Stephanie Wakefield and Antek Walczak — MayDIY or DIE: A Pastoral Selfie — Jenna Bliss, Elise Duryee-Browner, Damon SfetsiosTwo Tales — Alejandra RieraInsert: Dustin — Valentin Bouré & Mélanie Matranga Mirror, Mirror On Da Wall… On the exhibition of Stewart Uoo, Galerie Buchholz, Berlin — Daniel Horn
Kiss me, kiss me, cover my body in Love — Karl HolmqvistTrue Romance. On Camille Blatrix’s exhibition “A Ticket for the Sequel” at the galerie Balice Hertling, Paris — Édouard MontassutThe Apersonal Affect. On Anne Imhof’s exhibition at the galerie Deborah Schamoni, Münich — Kerstin StakemeierOn Dorothy Iannone’s exhibition “This Sweetness Outside of Time” at the Migros Museum für Gegenwartkunst, Zürich — Karl Holmqvist“Sorts of Notes.” On the book Dubuffet typographe by Pierre Leguillon — Mica GherghescuOn the exhibition “Charles James: Beyond Fashion” at the MET, New York — Jason Simon
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On “Interwoven Globe: The Worldwide Textile Trade 1500-1800” at Metropolitan Museum of Art, New York, and “Decorum: Carpets and Tapestries by Artists” at Musée d’Art moderne de la Ville de Paris/ARC, Paris — Nick Mauss
Mobile Brand Development. On Carissa Rodriguez, “La Collectionneuse” at Front Desk Apparatus, New York — Jacob KingTo the Planetarium. On “The Whole Earth. California and the Disappearance of the Outside”, at Haus der Kulturen der Welt, Berlin — Vincent Normand
An Introduction to a Juridical Legal Analysis of Contemporary Art — Judith IckowiczThe Reappearances of Cady Noland and the Theatre of Law — Judith Ickowicz, Elvan Zabunyan, David Perreau
Zero Dark Thirty: The Aesthetics of Narcissism — Maija TimonenFriend of the Devil. On Michael Krebber, “The ridiculized snails” at CAPC, Bordeaux — Mark von Schlegell On Martin Kippenberger, “Sehr Gut | Very Good” at Hamburger Bahnhof, Berlin — Jay ChungLife, like networking, is a group show. On Tanja Widmann, “eine von euch” at Grazer Kunstverein, Graz, Badischer Kunstverein, Karlsruhe, Saprophyt, Vienne, tranzitdisplay, Prague — Tonio Kröner
Get Rid of Capitalism. On Bernadette Corporation, “2000 Wasted Years” at ICA, London — Josefine WikströmParticipation, Penetration, and Phoniness. On Tobias Kaspar, “Life and Lies” at Galerie Marcelle Alix, Paris — Andrea LegiehnOn “The Issues of Our Time” at Castillo/Corrales, Paris — Seyoung Yoon“Living in Your Head”. On “When Attitudes Become Form: Bern 1969/Venice 2013” at Prada Foundation, Venice — Elvan Zabunyan
